华沙SCHOLZ&FRIENDS办公空间|工程案例鉴赏
Scholz&Friends希望改进他们的协作工作方式。他们想象他们的传统创意团队集群，通常是在离散群体中指定的，演变成一个更灵活的组织，其中团队成员可以自由地在开放的和未分配的座位之间自由移动，允许他们根据需要聚集在一起。这种方法之所以可行，原因很简单，因为大多数员工都在笔记本电脑上工作，固定式工作站现在在他们的办公室里很少见。
Scholz & Friends wanted to evolve their collaborative approach to working. They imagined their traditional creative team clusters, typically designated in discrete groups, evolve to a more flexible organization wherein team members could move freely between open ended and unassigned seats, allowing them to gather in groups as needed. This approach was made possible by the simple fact that most of the employees worked on laptops, stationary workstations are now a rarity in their office.
▼灵活多变的开放空间/Flexible and open space
KOS架构师认为，为了让流畅和协作的工作环境发挥所有空间线索的作用，建议删除分割和垂直层次结构，并用水平平等的空间结构取代；创意团队的所有成员，从接待员、行政助理、设计师，平面设计师、客户服务人员、文案和创意总监坐在一张桌子旁。
KOS architects reasoned that in order for a fluid and collaborative work environment to function all spatial cues suggesting division and vertical hierarchy be removed and replaced with a horizontal egalitarian spatial configuration; one where all members of the creative team, from the receptionists, executive assistants, designers, graphic designers, client services personnel, copywriters, and creative directors, sat at one table.
预期的结果是鼓励高级职员与初级职员互动，同时迫使初级职员比传统的开放式和封闭式办公室布局更频繁地与高级职员面对面，在这种布局中，主管人员坐在封闭式办公室中，围绕着支持人员在开放范围内隔间。实际上，在新的Scholz＆Friends办公室的情况下，办公室的外围被长条凳所取代，该长条凳鼓励社区或单独工作，并着眼于远郊城市，最终解散了传统的外围办公室并向所有人开放使用。当然，预期的效果是尽快打破工作场所的壁垒，使整个员工队伍都可以从事为客户开发创意内容的重要业务。
The intended outcome was to encourage senior personnel to interact with juniors, while simultaneously forcing juniors to confront seniors more frequently than they would have in a traditional open and closed office layout, one wherein executives sit in closed offices around a perimeter of support staff in open cubicles. In fact, in the case of the new Scholz & Friends offices, the perimeter of the office was replaced with a long bench that encouraged communal or solo work with a view on to city beyond, ultimately dissolving the traditional perimeter office and opening it for all to use. The intended effect of course was to break workplace barriers as quickly as possible allowing the entire workforce to move on to the important business of developing creative content for their clients.
▼被长条凳代替的外围/Peripheral replaced by a long bench
从结构上讲，一张长长的公用桌子贯穿了整个团队可以聚集并在“办公桌”上工作的空间。桌子的形状为大型团体会议和头脑风暴会议创造了非正式的，类似于休息室的公共区域。大型的木箱形吊舱，配有经过隔音处理的舒适内饰，为2至6人的团队更集中地工作提供了更安静和更私人的条件。
Architecturally, a long communal table wound its way through the space where teams could gather and work at a ‘desk’. The shape of the table created informal open lounge-like communal areas for larger group meeting and brain storming sessions. Large wood-crate-like pods, with comfortable acoustically treated interiors, provided quieter and more private conditions for teams of 2 to 6 people to work in a more concentrated manner.
声学是开放空间规划中的主要问题。对于Scholz＆Friends办公室，使用了喷涂泡沫的天花板和隔音板墙来减轻声音的传播并保持隔音的舒适性。与其使用通用的吸音天花板或隔板解决该问题，不如将声学处理作为空间内部建筑的一部分进行集成。隔音墙板以条纹浮雕图案布置，以给内墙饰面带来鳞片感和节奏感，而隔音顶棚则以整体方式应用，在某些情况下覆盖了所有机械设备，将它们变成悬挂式一般的吊顶系统通常会隐藏的抽象对象。隔音天花板本身就是受隔壁建筑的启发。
Acoustics is a major issue in open space planning. In the case of the Scholz & Friends offices spray foam ceilings and acoustic panel walls were used to mitigate sound transmission and maintain acoustic comfort. Instead of resolving this with generic acoustic ceiling tiles or baffles, the acoustic treatment was integrated as part of the interior architecture of the space. Acoustic wall panels were arranged in a striped relief pattern to provide a sense of scale and rhythm to the interior wall finishes, while the acoustic spray ceiling was applied in a monolithic manner, in some cases covering all of the mechanical equipment, turning them into suspended abstract objects that would have typically been concealed by a generic dropped ceiling system. The acoustic spray ceiling was itself inspired by the building next door, a remnant of early 1990’s ad hoc architecture, typical of the post 1989 laissez faire building boom in Poland.
最后，在支持空间（例如打印机室，会议室，厨房等）中增加了色彩打孔。拆除了这些空间的门，以提供更大的对比感和构图统一性。
Finally, punches of color were added to the support spaces, such as printer rooms, conference rooms, kitchen, etc. Doors were removed to these spaces to provide a greater sense of contrast and compositional unity.
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